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British Museum

  • Museums
  • Bloomsbury
  • price 0 of 4
  • 5 out of 5 stars
  • Recommended
  1. Sarcophagus of Nubkheperre © Britta Jaschinski
    Sarcophagus of Nubkheperre © Britta Jaschinski
  2. Egyptian statues © Britta Jaschinski
    Egyptian statues © Britta Jaschinski
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Time Out says

5 out of 5 stars

London’s busy home for ancient finds and cultural treasures from across the centuries, discovered across the world

When the British Museum was opened in 1759 it was the first national museum to be open to the public anywhere in the world. It was free to visit (and still is) so that any ‘studious and curious persons’ could pass through its doors and look upon the strange objects collected from all over the globe.

Centuries before television, this was a chance for anyone to stand in front of specimens and antiquities and connect with other cultures, ancient and contemporary. The first exhibits consisted of the collection of physician and naturalist Sir Hans Sloane – ancient coins and medals, books and natural remains – and through the centuries since, it has become home to the most significant finds made by British explorers at home and abroad, like the Rosetta Stone from Ancient Egypt and the Parthenon sculpture from the Acropolis in Athens.

In recent years there have been campaigns by other nations who want some of their historic treasures returned. (The issue over who has a legal right to the Elgin Marbles was most recently taken up on behalf of Greece by Amal Clooney.) However, the British Museum remains one of the world’s most popular attractions, with six million visitors a year. And although many of its priceless artefacts are protected by glass cases, the museum is anything but a hushed old resting place.

As soon as you walk into the magnificent glass-roofed Great Court you can hear the buzz of students, tourists and Londoners who have just popped in for lunch among the treasures. The British Museum is a working organisation carrying out research and conservation and that’s reflected in the breadth of the collection and the way in which it’s displayed.

The galleries are divided by location and periods in history – Ancient Iran, Greece, China from 5000BC onwards, Roman Britain and so on – and if you’re overwhelmed by the choice, follow one of the free 20-minute spotlight tours led by the guides every Friday, or check one of the free exhibitions dedicated to a specific theme or works of art. There are daily free activities for kids, too, including crafts, activity trails and digital workshops – perfect when there’s a homework project that needs to be fired by inspiration.

Written by
Laura Lee Davies

Details

Address:
44 Great Russell St
London
WC1B 3DG
Transport:
Tube: Tottenham Court Rd/Holborn/Russell Square
Price:
Free (permanent collection); admission charge applies for some temporary exhibitions
Opening hours:
Open daily 10am–5.30pm, Friday until 8.30pm. Closed Jan 1, Dec 24–
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What’s on

Feminine Power: the Divine to the Demonic

  • 3 out of 5 stars

Lust, destruction, anger and filth: female power in human history is vicious stuff, and this exhibition of ancient sculpture, sacred artifacts and contemporary depictions of goddesses, witches and demons absolutely revels in it. There’s Pele, the Hawaiian goddess of volcanoes, who erupts and obliterates, but paves the way for new life in the process. There’s Tlazolteolt, the Huaxtec goddess of purification, who inspires sexual desire and eats filth to cleanse transgression. There's China Supay, the demonic Bolivian embodiment of lust. There’s Athena, Venus, Lilith, Hekate and Eve, and they’re all here as sculptures and paintings and masks. Throughout history, the female spirit has been tempting, lustful, strong, noble, just and compassionate. It is countless things to countless cultures, and the objects here celebrate that dizzying diversity. The China Supay mask is wild and obscene, the statue of Kali with her necklace of severed men’s heads is dark and gory, the images of the Virgin Mary are soft and caring.  The female spirit is countless things to countless cultures. But the exhibition is, ironically, a bit of a patronising mess. It opens with screens of word clouds: ‘patient’, ‘unapologetic’, ‘dangerous’. It feels like being stuck in a meeting with a bunch of male ad execs trying to figure out how to flog tampons. The show is also plastered with interpretation and giant quotes by academics and comedians that say stomach-turningly cringe things like ‘it’s time to embrace

Hieroglyphs: Unlocking Ancient Egypt

It has been exactly 200 years since some very clever people figured out how to decipher ancient Egyptian writing, and this major new immersive exhibition at the British Museum celebrates that moment. With objects on loan from around the world – including 'The Enchanted Basin', a huge black granite sarcophogus – the exhibition will explore how the Rosetta Stone opened up a window into history that had remained tightly closed for thousands of years. 

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