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V&A

  • Museums
  • South Kensington
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  1. Exterior of V&A © Peter Kelleher
    Exterior of V&A © Peter Kelleher
  2. Sculpture Gallery © Victoria and Albert Museum, London
    Sculpture Gallery © Victoria and Albert Museum, London
  3. David Bowie bodysuit for Aladdin Sane tour, David Bowie temporary exhibition 2014 © Victoria and Albert Museum, London
    David Bowie bodysuit for Aladdin Sane tour, David Bowie temporary exhibition 2014 © Victoria and Albert Museum, London
  4. John Madejski Garden © Victoria and Albert Museum, London
    John Madejski Garden © Victoria and Albert Museum, London
  5. Renaissance City 1350 - 1600 © Victoria and Albert Museum, London
    Renaissance City 1350 - 1600 © Victoria and Albert Museum, London
  6. Tippo's Tiger ©Victoria and Albert Museum, London
    Tippo's Tiger ©Victoria and Albert Museum, London
  7. Staffordshire 'Tea Total' piece in Ceramics Hall © Victoria and Albert Museum, London
    Staffordshire 'Tea Total' piece in Ceramics Hall © Victoria and Albert Museum, London
  8. V&A Cafe © Victoria and Albert Museum, London
    V&A Cafe © Victoria and Albert Museum, London
  9. V&A shop © Victoria and Albert Museum, London
    V&A shop © Victoria and Albert Museum, London
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Time Out says

It comes to something when a museum can lay claim to having been opened as Queen Victoria’s last public engagement. In 1899, the current premises of the V&A enjoyed that privilege. It has gone on to become one of the world’s – let alone London’s – most magnificent museums. It is a superb showcase for applied arts from around the globe, appreciably calmer than its tearaway cousins the Science Museum and Natural History Museum on the other side of Exhibition Road. All three museums would be must-visits in another city, but it is the sheer beauty of the V&A that keeps it closest to our heart.

The details? There are some 150 grand galleries over seven floors. They contain countless pieces of furniture, ceramics, sculpture, paintings, posters, jewellery, metalwork, glass, textiles and dress, spanning several centuries. You could run through the highlights for the rest of this guide, but key artefacts include the seven Raphael Cartoons, painted in 1515 as tapestry designs for the Sistine Chapel; the finest collection of Italian Renaissance sculpture outside Italy; the Ardabil carpet, the world’s oldest and arguably most splendid floor covering, in the Jameel Gallery of Islamic Art; and the Luck of Edenhall, a 13th-century glass beaker from Syria. The fashion galleries run from 18th-century court dress right up to contemporary chiffon numbers, while the architecture gallery has videos, models, plans and descriptions of various styles.

Over more than a decade, the V&A’s ongoing FuturePlan transformation has been a revelation – more than 85 percent of its public spaces have been restored and redesigned. The completely refurbished Medieval & Renaissance Galleries are stunning, but there are many other eye-catching new or redisplayed exhibits: they were preceded by the restored mosaic floors and beautiful stained glass of the 14th- to 17th-century sculpture rooms, just off the central John Madejski Garden, and followed by the Furniture Galleries – another immediate hit. The ambitious Europe 1600-1815 Galleries – centred around a stunning four-metre-long table fountain, painstakingly reconstructed from 18th-century fragments – collect European clothes, furnishings and other artefacts. Or there’s the Toshiba Gallery of Japanese Art, exhibiting 550 works running from the sixth century AD to the first Sony Walkman and an origami outfit by Issey Miyake. On a smaller scale, the Ceramics Galleries have been renovated and supplemented with an eye-catching bridge; and the Theatre & Performance Galleries took over where Covent Garden’s defunct Theatre Museum left off. Newer additions include the museum’s ‘Rapid Response Collection’, which features examples of contemporary design and architecture reflecting important news events, while the major temporary exhibitions – Alexander McQueen, David Bowie and Frida Kahlo – are frequently blockbuster sell-outs.

Summer 2017 saw the opening of a new entrance, directly into the heart of the museum from Exhibition Road, through the porcelain-tiled Sackler Courtyard to the purpose-built Sainsbury Gallery. It’s a fitting introduction to a fabulous museum.

Read about our favourite seven exhibits at the V&A or see more of London's best museums

Details

Address:
Cromwell Rd
London
SW7 2RL
Transport:
Tube: South Kensington
Price:
Free (permanent collection); admission charge applies for some temporary exhibitions
Opening hours:
Mon-Thu, Sat, Sun 10am-5.45pm; Fri 10am-10pm
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What’s on

Africa Fashion

  • 5 out of 5 stars

The V&A’s ambitious new exhibition is a triumphant attempt to complete the near-impossible task of capturing an entire continent through its fashion. Incorporating textiles, design and still and moving images, ‘Africa Fashion’ takes visitors on a compelling journey from the 1960s to the present day in a bid to reshape existing geographies and narratives of style. It feels like a glorious celebration. There’s joy in the key points that punctuate the show: a brilliant pink outfit of trousers and kinetic cape by Imane Ayissi from 2019 bams you straight in the eye as you enter. The second floor is dominated by Artsi Ifrach’s Maison Artc ‘A Dialogue Between Cultures’, with its organza, ribbon and plastic-fishbone crinoline, dress and mask at the top of the stairs, while James Barnor’s gorgeous Kodachrome photographs hail us like old friends in an embrace of colour. But there’s also pleasure in the quieter examples: a salt-crystal necklace by Ami Doshi Shah, Ibrahim Kamala’s loving 2022 photographic homage to trailblazing designer Chris Seydou’s 1980s ensemble, the assurance of Gouleh Ahmed’s images of non-binary people. While these moments accrue, there’s never a sense of being overwhelmed by content, there’s a confident restraint, a balance between the headliners and the new kids on the block which always keeps things fresh and unflagging. Identity and Blackness are core here, and while there’s a political dimension working through the narratives and choice of contemporary design

Fashioning Masculinities: The Art of Menswear

  • 4 out of 5 stars

From the start, this exhibition makes it clear that menswear is more than just suits. It’s linen shirts with billowing sleeves, it’s spandex binders, it’s jackets embroidered with eggshells and dramatic, corseted gowns. This show explores the European aesthetic traditions and experiments that have defined masculinity, and contested it, from the Renaissance until the present day. The exhibition is arranged across three rooms, opening with ‘Undressed’. Plasters of classical statues pose on elevated platforms, dominating the display of garments, underwear and photographs. There’s a woven jockstrap from 1947, a transparent Virgil Abloh jacket and Anthony Patrick Manieri’s mesmerising two-minute film of leaping nude bodies, rippling in all of their chubby, hairy elegance. This is probably the closest the exhibition gets to championing body diversity. But then again, fashion itself has a lot to do in that area. The curation is smart. References to history and contemporary culture are linked effortlessly, for example Albrecht Dürer’s 1534 studies of human proportion are juxtaposed with a deconstructed Action Man doll. The second room, ‘Overdressed’, is a statement of flamboyance, opulence and colour, with incredible embroidered cloaks, intricate Baroque portraits and an Italian restyling of a Chinese dragon court robe. It even has a whole section dedicated to pink, and Harry Styles’s iconic blue velvet Gucci suit. Where do you, and the hideously uncool clothes that you’re wearing

‘Beatrix Potter: Drawn to Nature’ review

  • 3 out of 5 stars
  • Exhibitions

To a lot of people, Beatrix Potter means fluffy bunnies and fiddly names like Mrs Tiggy-Winkle and Jemima Something-or-other. But there are also loads of Beatrix Potter super-fans out there who remember by heart what every rabbit, hedgehog, frog and fox is called. She’s a national treasure, for God’s sake. Billed as a family-friendly show tracing the story of Potter’s life, the V&A’s new exhibition ‘Beatrix Potter: Drawn to Nature’, was created in collaboration with the National Trust, from which many of the objects are borrowed. It’s a show about nature, about looking and about the Great British Outdoors. Although Potter spent 47 years living round the corner from the V&A in a Kensington townhouse, London was her ‘unloved’ home. Her family went on a lot of holidays: the exhibition whisks you to Manchester, to Scotland and to the Lake District, where Potter formed a lasting love affair with the turbulent English countryside.  This show doesn’t have the theatricality or immersiveness of some of the V&A’s other blockbusters, like its recent heady ‘Alice in Wonderland’ exhibition and the like, but it’s certainly interesting. There’s an impressive level of detail about how Potter’s drawing skills developed: she’d copy the illustrations on her parent’s pottery, for example. And through trinkets, family photographs, wooden clogs, drawings and letters, we learn that Potter was a hell of a lot more than just a storyteller: she was a sheep farmer, a scientist, an anthropologist and a

London Design Festival

  • Festivals

The London Design Festival celebrates its 20th anniversary in 2022 with another year of events, exhibitions and installations celebrating some of the world’s best designers and interrogating the boundaries of what design is. One of the highlights of the capital’s cultural calendar, expect sensational installations, museum exhibits, Design Districts with clusters of creative activity across the capital, as well s the Global Design Forum where creative leaders will exchange ideas and solutions for some of the most pressing issues of our time. Highlights include an outdoor installation from Rotterdam-based designer Sabine Marcelis celebrating the Brutalist form of Centre Point and a baffling but exciting sounding ‘life-sized media platform’ from Sony Design which will play sensorial effects transforming ‘simple boundary surfaces into an infinite vista through shifting light, colour and sound’. There’s also ‘Henge’, a project in Greenwich Peninsula inspired by Neolithic stone structures and, as ever, the festival hub will be at the V&A. 

Hallyu! The Korean Wave

  • Exhibitions

One of the stand-outs of the V&A’s 2022 programme, having been delayed from its original opening last year, ‘Hallyu! The Korean Wave’ is a large-scale exploration of Korean pop-culture, and the first of its kind in the UK. Hallyu (meaning Korean Wave) started gaining traction in the 1990s, encompassing Korean music, movies, fashion and online games. The exhibition will take a close look at the explosion of K-Pop bands such as BTS as well as the 2012 ‘Gangnam Style’ craze. The BTS Army of stans essentially rule the internet, and are responsible for some brilliant online activism, so there’s a whole lot to explore from 2020 alone. More details will be released soon. Find out more here.   

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